Gothic buildings were in short supply in suburban Moorooka in 1956, so the classical splendour of Brisbane Grammar School came as a cultural shock to this new boy. At the first morning assembly, the entire school packed into the Great Hall where we found ourselves being scrutinised by 'the Masters': a group of serious, black-robed and apparently humourless academics.
I had a vague idea that I wanted to be a writer. Since the age of ten, I had been tapping out bits and pieces on my mother's typewriter which were occasionally accepted by a publication called Junior's Journal. By the age of 13, when I found myself in Form 3H, I had outgrown Biggles and moved on to Bulldog Drummond and Edgar Wallace. The homework hours were spent reading thrillers and attempting to write one, not typing it out (a dead giveaway to my parents) but secretively scribbling down lurid plots in red ink. My schoolwork slumped.
Then two things happened: Memory tells me it was at the start of the second term (but I might be wrong) that a young man of Levantine appearance walked into our classroom and announced that he was our new form master (the previous one having decamped to Balliol, Oxford). 'My name is Mr Malouf,' he added with a self-deprecating smile, 'and I'll be taking you for English.' David Malouf was 22 years of age, a Grammar Old Boy who had been brought up in Brisbane during World War II (and about which he later wrote most movingly).
The second thing that happened was that I got a job as a casual reporter working for Harry Smith, sports editor of the Telegraph, Brisbane's evening paper. Every Saturday I covered a minor sporting event somewhere in the back blocks and phoned a few paragraphs to the copytakers in the Telegraph building in Queen Street for inclusion in the pink sports edition which went to press at 5 o'clock that evening.
This was interesting, paid work and as I progressed to more important assignments I found myself competing against real reporters such as the debonair Laurie Kavanagh of The Courier-Mail. I put aside the thrillers and borrowed Hugh Cudlipp's Publish and Be Damned from the local library and was soon dreaming of walking down Fleet Street and getting a job on Cudlipp's paper, the Daily Mirror.
Fortunately, David Malouf, who was more like a good-natured older brother than one of those fearsome, black-robed academics, injected a little realism into the situation. Having despaired over some of my work, he suggested it might be a good idea if I actually read the set novels, A Tale of Two Cities (Dickens), Vanity Fair (Thackeray) and Wuthering Heights (Emily Bronte). So I put Cudlipp aside and picked up A Tale of Two Cities and began to read the adventures of Sydney Carton during the French Revolution. It was a revelation: not only was the story about one man's heroic self-sacrifice extremely exciting but I learned that Charles Dickens had also been a newspaper reporter and editor. My schoolwork improved accordingly.
Somewhere between the gentle ministrations of David Malouf and the professional requirements of Harry Smith, I managed to cobble together some sort of style that could pass muster for both essay-writing at school and sports-reporting in the Telegraph. By the time I left BGS, I had dozens of newspaper clippings neatly stapled in an old school exercise book marked 'English: Annotations'.
David Malouf later fell out with the BGS head, a lanky, difficult character called 'Shorty' Newell, and headed for greener pastures further south and eventually overseas where his English lectures inspired a generation of young writers and he became one of Australia's best (and best-loved) authors.